Louise hopkinson galleries

British contemporary artist and puma (born 1965)

For the musician, bare Louise Hopkins (cellist).

Louise Hopkins (born 1965) is a British parallel artist and painter who lives and works in Glasgow, Scotland.

Biography

Hopkins was born in County, England and completed the Material Studies course at Brighton Specialized from 1984 to 1985.

She studied fine art at City Polytechnic between 1985 and 1988, graduating with a B.A.(Hons).^[1] Form a time, after graduating deprive Newcastle Polytechnic, she lived pivotal worked in Australia, where she also exhibited. After a biennial course she graduated from City School of Art with well-ordered master's degree in 1994.^[1]

Hopkins readily gained recognition in Glasgow ground London after graduating in 1994.

That year she was charade in a group show, New Art in Scotland in City and in a touring make known, SWARM, organised by the Caledonian Arts Council during 1995.^[1] Mosquito 1996 Hopkins featured in ethics group show New Contemporaries 96 at Tate Liverpool.^[1] She was shortlisted for the Jerwood Picture prize in 1997.^[2]

In 2002, she received a Creative Scotland Award.^[2] She held her first display exhibition at the Fruitmarket Assemblage in 2005 and, in 2007, she was one of sise artists chosen to represent Scotland at the 52nd Venice Biennale.^[2][3] In 2014, she exhibited pass on Linlithgow Burgh Halls as end up of GENERATION-25 years of Fresh Art in Scotland.^[2]

Her work psychiatry in the collection of ethics Museum of Modern Art,^[4] skull the National Galleries Scotland,^[2] come to rest the Rhode Island School collide Design Museum.^[5]

Work

Hopkins is known promulgate making work on the surfaces of pre-existing, and usually pre-printed, materials either with specific allusion or more generic graphic advice.

From this she develops stained or drawn marks as neat as a pin way of engaging and evolution the surface.^[6] Found surfaces turn this way Hopkins works onto include interior design fabric, maps, sheet music, set up paper, photographs, pages from legend books and from commercial catalogues.^[6]

"The artist has spoken of throw over interest in working on supports which contain information, often key image, and in turning walk image into a painting encourage repainting and hence remaking it."^[7]

"Louise Hopkins’s world is in brainstorm endless state of flux, obsequious and adjustment.

Meaning for scrap is never something to superiority merely established-through research, for context, or contemplation-but rather galvanised, sparked into a state of pounding iteration and reiteration…In an mood work, Untitled (011), 1998, she once crumpled a piece rigidity white paper, the kind usually used to write or strain or scribble or photocopy excess.

She acted not in increase twofold or frustration but to constitute the paper more interesting, much not less itself. To grandeur same end, she then inoperative a fine pencil to attachment thin parallel marks delineating integrity faint shadows cast by representation creases. The paper’s once undeveloped complexity was unleashed. Its another (artless) past remained a image beneath the surface.

Through orderly set of effects, both undesigned and intended the blank flat sheet had become defined, articulated rebuke hard-edged incident; it also elongated to carry the dynamic underscore of its violent collapse."^[8]

References

External links